lauantai 19. elokuuta 2017

LinkedIn Updates, New Facebook Ads, and the New Facebook Design

Welcome to this week’s edition of the Social Media Marketing Talk Show, a news show for marketers who want to stay on the leading edge of social media. On this week’s Social Media Marketing Talk Show with Michael Stelzner, we explore LinkedIn updates with Erik Fisher, new Facebook ads with Amanda Bond, the new Facebook design, [...]

This post LinkedIn Updates, New Facebook Ads, and the New Facebook Design first appeared on .
- Your Guide to the Social Media Jungle



from http://ift.tt/2vSenMq
via IFTTT

perjantai 18. elokuuta 2017

Weekly Photography Challenge – Red

Earlier I rounded up 19 images that use the color red – you can see them here.

Weekly Photography Challenge – Red

By rich_f28

By Tony

By Tim Green

By Lóránt Szabó

By Steve Snodgrass

Color is all around you – it’s your job this week to seek out and photograph anything red. Remember to follow good compositional guidelines to create impact in your images, and use lighting that is appropriate and enhances your subject.

Share your images below:

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

Share in the dPS Facebook Group

You can also share your images on the dPS Facebook group as the challenge is posted there each week as well.

The post Weekly Photography Challenge – Red by Darlene Hildebrandt appeared first on Digital Photography School.



from Digital Photography School http://ift.tt/2v9eroZ
via IFTTT

19 Vibrantly Colored Crimson Images

Here are 19 really vibrant images featuring the color red for your visual stimulation.

Hope you enjoy them.

By liz west

By Bernard Spragg. NZ

By theilr

By Ivan Bandura

By Harsha K R

By jimpg2_2015

By Bernard Spragg. NZ

By VaMedia

By jasleen_kaur

By aotaro

By d26b73

By Mike Beales

By sean_hickin

By Visha~~AWAY..VERY BUSY

By Jim Lukach

By inthepotter’shands

By Sebastian Rieger

By Johan Neven

By coniferconifer

The post 19 Vibrantly Colored Crimson Images by Darlene Hildebrandt appeared first on Digital Photography School.



from Digital Photography School http://ift.tt/2wX07lP
via IFTTT

How to Use a Reflector to Improve Your Natural Light Portraits

Reflected light can add depth and a fresh dynamic to your natural light portraits. Sometimes naturally occurring reflected light can be used, but by far the easiest way is to use a reflector. The most important thing is to learn to see the light falling on your subject and then control the strength and quality of the reflected light you are adding. Here are some tips to help you learn to use a reflector.

Hmong woman drying skeins of hemp thread outdoors - How to Use a Reflector to Improve Your Natural Light Portraits

Hmong woman drying skeins of hemp thread which are reflecting light back onto her face.

Naturally reflected light

When making candid portraits, I’m always looking to see if some reflected light is affecting my subject. At the right angle, any surface can bounce light back onto your subject. You can train your eye to see it.

It may be light bouncing off a nearby wall or pavement, an open newspaper or skeins of yarn (as in the photo above). With the strong sunlight behind the lady as she hangs out her skeins of washed thread, the light is reflecting softly back into her face.

Thai woman holding a bamboo tray of steamed fish - How to Use a Reflector to Improve Your Natural Light Portraits

A fish vendor at the fresh market with light reflecting onto her from an adjacent white wall.

Naturally reflecting light is easier to make use of if you are posing your subjects and have some control over where they are positioned. Finding a location where the sun is hitting a large light-toned neutral surface can provide you suitable reflected light for portraits.

In this photo of the fish vendor at the local fresh market, the light is reflecting off a white painted building behind me. Behind her is an open entrance to a room with no windows, providing a dark background to nicely isolate my subject.

Types of reflectors

Close up of a Kayan long neck girl with traditional face painting, make-up

Close up of a Kayan long neck girl with traditional face painting makeup.

When there’s no naturally occurring reflected light, a folding reflector is a fabulous accessory to have on hand. These reflectors are relatively inexpensive and come in various shapes, sizes, and colors. The most efficient are the ones which have multiple reflective surfaces.

Note: you can even DIY and build your own reflector.

These reflectors typically have a sleeve which covers a translucent fabric attached to the foldable frame. The sleeve is removable and reversible with four different surfaces (5-in-1 reflectors). Normally they are white, silver, gold, and black. Some even have more complex reflective surfaces. Learning to use this type of reflector well can take some practice, but it’s worth while for the fresh dynamic lighting it will bring to your portraits.

How to Use a Reflector to Improve Your Natural Light Portraits

One of my models assisting me during a portrait session.

How to use a reflector

Having someone to hold the reflector is the best way to use it as the direction of light and angle of the reflector in relation to your subject is important. If the reflector is not at the best angle you will have too much or too little light bouncing onto your subject. You may need to coach whoever is assisting you and demonstrate the effect the reflector has, so they can hold it precisely right for the best lighting.

Careful choice of reflective surface for whatever light you are working in is important too. If you are making portraits outside in full sunshine the use of the white reflector surface may be best. It’s likely the silver or gold surfaces will reflect too much light back onto your subject. Don’t be afraid to experiment though, as that is a great way to learn.

KAren Woman Smoking Her Pipe against a black background

Karen Woman Smoking Her Pipe against a black background.

Using a reflector in bright sunlight

In the bright sunshine, the person holding the reflector needs to be careful not to bounce strong light into your subject’s eyes as they are searching for the best angle to hold the reflector. That can be most uncomfortable for your subject. It’s a good idea to instruct your subject not to look directly at the reflector. If they have not seen a folding reflector before many people will look at it as it is unfolded.

Two long neck Kayan ladies laughing together in a village in Thailand - How to Use a Reflector

With this photo of the two laughing ladies, my wife was using a medium sized gold surfaced reflector. She is an expert assistant and photographer so she knows how to get the optimal reflected light in most situations. My subjects were standing in the shade of a tree and the reflector was also in the shade, so it was not bouncing back full sunshine.

I find the gold surface works well with Asian skin tones. With the strong back light, the bounce light fills in the shadows nicely reducing the over all tonal range in the photo. Because the reflected light is stronger on the ladies faces, (where I was taking my light reading from,) it is more balanced with the light in the background. The bright sun reflecting off the light colored ground also adds nicely to this photo. If my wife had been standing so the gold reflector was in the full sunshine the light would have been too bright and harsh, blinding our models and creating hard shadows on them.

How to Use a Reflector

Reflecting light to balance with the ambient light can reduce shadows without eliminating them.

Using a reflector in soft light

On overcast days a silver reflector will bounce a clean, soft light onto your subject. If you can position your reflector so it balances with the ambient light, gently filling in shadows on the face but not completely eliminating them, you can obtain some very pleasing results.

Varying the angle of the reflector in relation to the light source and your subject will vary the amount of light affecting your subject. You do not need to always have the reflector blasting out the maximum amount of light as this can look very unnatural. Using the white surface rather than the silver side will also reduce the amount of reflected light.

Senior Pwo Karen woman smoking a pipe against a black background - How to Use a Reflector

With the sun behind the model, an overhead diffuser and reflector to my left and the ground also reflecting light.

Other uses for reflectors

Black or white surfaces of very large reflectors can make great backgrounds and the translucent inner part can be used as a screen to hold above your subject to block direct sunlight. In the past, I have used this method but now prefer to use my *portable daylight studio to provide a black or white background and filtered back lighting, (in principle it’s the same thing.) I then use my large folding reflector to help control the light on the front of my subjects.

Sunlight also reflects off the ground. Typically in a northern Thai village, the earth is a light color and creates a pleasing reflection. But if I have to work on grass we lay down some large sheets of white plastic to avoid having a green color cast in the images.

*Reading Irving Penn’s book “Worlds In A Small Room” was the inspiration for my portable studio which I have used in many locations in the mountains of northern Thailand and occasionally when teaching our workshops.

Portrait on a black background of a senior Pwo Karen man - how to use a reflector

A careful balance of reflected and diffused light.

Conclusion

As you practice using a reflector you will learn to manipulate just the right amount of light onto your subject. At times you might prefer hard light and other times soft light will be more pleasing. Learning to see how light affects your subject and learning to control it will greatly improve your portraiture.

The post How to Use a Reflector to Improve Your Natural Light Portraits by Kevin Landwer-Johan appeared first on Digital Photography School.



from Digital Photography School http://ift.tt/2ifyMYG
via IFTTT